(Review by Geoff Steele. Photographs by Andrew O’Hearn.)
As the sky grew dark and the audience gathered at Prickett’s Fort Amphitheatre, it was actually the beginning of a “beautiful morning” for Fairmont State University School of Fine Arts and Town and Gown Players as they presented the 1943 Broadway hit OKLAHOMA! Uniquely swirled ears of corn with a stunning back drop of plains and sky set the stage when Curly’s (Greg DeVito) voice broke through the crisp night air ringing like a wakeup call for the farm setting to come alive.
Aunt Eller (Linda O’Connor) was hysterically funny and reminiscent of Granny from the “Beverly Hillbillies.” She knew exactly how to deliver her lines to make the audience chuckle. The stubborn love bickering between Curly and Laurey (Loralee Simpson) was perfectly timed and believable and both were strong in character and presence. Laurey finds herself in the midst of a suitor problem when her farmhand, Jud Fry (Jason Young), asks her to the social before the headstrong Curley does. As Laurey agrees to go with Jud she has no idea of the fate which lies ahead.
Will Parker (Jay Lindsay) gives his all with “Kansas City” as the script introduces additional characters and additional story lines. Ado Annie (Cora Childress) is to be commended on her perfect hormonal performance of “I Can’t Say No” as she finds herself in a horrible dilemma of two suitors–the mysterious and worldly Ali Hakim (Christian Cox) and Will Parker.
While the main characters have the majority of the stage time and musical numbers and the cast delivers very strong performances, there are some performances of minor characters that deserve recognition. Troy Snyder as Andrew Carnes, Ado Annie’s father, is terrific comic relief wielding his rifle and dealing with Ado Annie’s suitors and leading the ensemble in “The Farmer and the Cowman Should be Friends.” Mr. Snyder also designed the sets. John O’Connor as Ike Skidmore brings professional level acting skills to a role that could be lost in the crowd. Dani DeVito as Gertie Cummings, a role without a solo, manages to create a character laugh that reduces the audience to giggles every time she is heard. Of particular note is Jason Young as Jud Fry who has to tackle one of the most unlikable characters written for a musical. Mr. Young manages to totally capture the audience attention with an unsympathetic character and enthrall them with a sensitive and beautiful singing of his soliloquy, “Lonely Room.”
Overall, the production of OKLAHOMA! is well done blending direction, choreography, acting, scenery, lighting and costumes. The music from an eight-piece orchestra conducted by music director Jamie Clegg is very well done and the singing by the ensemble is very impressive. Director, Jeffrey Ingman, should be proud of this production as the audience at the amphitheatre gave the production 100% of its attention to the story, roared its approval of individual musical numbers and stood to show its overall appreciation at the finale.












































